Awards Watch: National Board of Review 2009

Posted By Doncrack On 4:00 PM 0 comments
The National Board of Review was all about Up in the Air with its annual awards, announced today. Jason Reitman's follow up to Juno landed four trophies, including Best Film of 2009. Stars George Clooney and Anna Kendrick were also honored for the dramedy.

Clooney tied for Best Actor with Morgan Freeman, recognized for his portrayal of Nelson Mandela in Invictus. Clint Eastwood was named Best Director for the biographical drama, which also received two other mentions. Carey Mulligan (An Education), Woody Harrelson (The Messenger), Jeremy Renner (The Hurt Locker), Gabourey Sidibe (Precious) and the cast of It’s Complicated rounded out the other acting categories.

For a quick look at all the winners (which will be handed out on January 12 in New York), see the comments section below.

Reel Thoughts Interview: The Prairie Moves

Posted By Doncrack On 10:00 AM 0 comments
After musical versions of Happy Days and Gilligan’s Island, you would be forgiven for thinking that Little House on the Prairie, starring Half-Pint herself, Melissa Gilbert, might be just another nostalgic trip to a beloved TV show.

A closer look, however, reveals a pedigree few other shows can match. Launched at Minneapolis’ prestigious Guthrie Theatre, Little House on the Prairie (now on tour) is a faithful adaptation of Laura Ingalls Wilder’s classic books, with a gorgeous score by Oscar winning composer Rachel Portman. The show is directed by Francesca Zambello (The Little Mermaid), a renowned opera director.

Dance captain Tony Vierling started the tour after a long association with the Guthrie, including the original production of Prairie last year. He admitted that working with Portman and Zambello can be intimidating at first, but it’s rewarding.

“I love the score – it’s really beautiful. It’s been compared to Aaron Copland. Watching (Portman) work, seeing her at a piano writing away was really thrilling,” Vierling said. He said Zambello is “a strong person and she has very distinct ideas and you think, ‘Oh my gosh, Francesca. Don’t look at me!’ You just don’t know what’s going to happen when you first meet her. And then you start to see how she works and how she works with the actors and it’s amazing.”

Vierling is a self-proclaimed song-and-dance man who has starred in big tap dance musicals like Crazy for You, 42nd Street and Anything Goes. “That’s sort of my genre – I really enjoy that.” Being a “swing” like Vierling requires flexibility and a lot of dedication. “I understudy 10 men’s tracks (roles),” Vierling said. As the dance captain, he’s responsible for teaching choreography to the entire cast and their understudies.


The Salina, Kansas, native went to Iowa State University and moved to Minneapolis after graduation. After a stint in Los Angeles, he returned to Minneapolis for its theatrical environment and because he could buy a house more affordably. He’ll have little time to enjoy his home now that he is part of a new tour. “It’s a little bit of a built-in vacation,” he said, noting that he has family all over the country.

The performer, who resembles a young Anthony Perkins, loves being part of a show that families are enjoying together. “The mothers and grandmothers are coming to see Melissa (Gilbert), but their girls want to see the stories from the books,” he said. “We have a lot of little girls who come dressed as Laura Ingalls Wilder.”


His favorite scene is set in the schoolhouse where Laura first meets Nellie Oleson. “It gets a little crazy. Laura wreaks a little havoc in the schoolhouse. The kids are hilarious and sweet and they love what they’re doing so much. And then there’s some stuff in the second act between Laura and Almanzo. The ballads that they sing are just beautiful and I never, never, never get tired of hearing them. The show is sweet and friendly and warm, and it captures the feel of the books so well.”

Little House on the Prairie performs at Gammage Auditorium in Tempe from December 8 to 13. For more information about the tour and future dates and locations, visit the show's official website.

Interview by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

The Latest on TV: All I Want for Christmas

Posted By Doncrack On 7:00 AM 0 comments
Two of our favorite things — Kristin Chenoweth and half-naked men — will be in one place tomorrow night: the new Lifetime Original Movie 12 Men of Christmas!

Described as "The Full Monty meets Calendar Girls", Chenoweth plays a publicist who loses both her high-powered Manhattan job and her lawyer-fiancé at her office Christmas party. So, naturally, she ends up taking a job in Montana where, to help the local search-and-rescue station raise desperately needed funds, she tries to convince the male rescue workers to pose for a beefcake calendar. Of course, along the way she discovers what really matters to her (and, no doubt, the "true meaning of Christmas") ... plus wins the heart of one of the pin-ups.

Cougar Town's Josh Hopkins, Paradise Falls' Stephen Huszar and DietTribe's Jessie Pavelka are amongst the dozen hunks appearing in the movie ... and the calendar. Speaking of which, you can get a sneak peek at all 12 Men of Christmas in their calendar poses right here, or watch the trailer here.

Reviews: The Best Gay Film of the Year is Here

Posted By Doncrack On 4:00 AM 0 comments
It has been four years since Brokeback Mountain touched the hearts of gay viewers, and many of us have been pining ever since for another movie to reflect and evoke our experiences in an authentic way. Well, I’m happy to report the wait is over! A Single Man opens in limited release this Friday and will expand across the US on Christmas Day.

Colin Firth stars as George Falconer, a college literature professor grieving the loss of his lover, Jim (Matthew Goode, who played the sexually ambiguous Ozymandias in the recent Watchmen). Jim died eight months earlier in an automobile accident. The men met at the end of World War II and were happily together 16 years (the film is set in 1962).


Increasingly lonely and unable to function effectively without Jim, George resolves to end his life. The film follows George during the course of what is intended to be his last day. As he goes about getting his affairs in order and making other preparations for his suicide, we gain glimpses into George’s past and George himself sees unexpected signs of hope for his future should he choose not to kill himself.

We meet Charley, a life-long friend of George’s played by the always-great Julianne Moore. Charley has a particular affection for Tanqueray gin (“I like the color of the bottle,” she tells George. “You like what’s inside it,” he replies in one of their comically honest exchanges) as well as for George. Viewers are also introduced to one of George’s students, Kenny (young cutie Nicholas Hoult), whose own unique feelings for George develop during the course of the movie.

Based on a 1964 novel of the same title by gay writer Christopher Isherwood, A Single Man marks the screenwriting and directorial debuts of fashion designer Tom Ford. Ford’s fine eye for detail is evident throughout the film, from the fluctuating photographic color scheme to the amazing period props, cars and set pieces to, of course, the costumes (the exquisite fashions in the film weren’t designed by Ford but by Arianne Phillips). Indeed, A Single Man is the most slavishly-devoted-to-period-detail film since 2002’s Far from Heaven, which also starred Moore and was written and directed by out filmmaker Todd Haynes.

I can’t say enough about how good A Single Man is in terms of both its overall artistry and depiction of homosexual life. Not only is it the best gay-themed film of 2009 (and I’m not forgetting this year’s earlier Little Ashes, an excellent exploration of the love affair between artist Salvador Dali and poet Federico García Lorca), but I dare say it is one of the best ever. While the gay characters are necessarily closeted for 1962, they are far from the self-loathing homosexuals of many movies of the past with queer characters. This includes Brokeback Mountain.

George and Jim are fully accepting of themselves and are unapologetically gay. They remain so despite Jim’s parents’ condemnation of their relationship, as well as the straight family man next door’s assertion that the neighbors are “light in their loafers.” George delivers a powerful, impromptu lecture to his students — intended to be his last — on how social minorities are the victims of the majority’s fear. Though George doesn’t mention homosexuals specifically among the minorities he lists, his point is so strong and truthful that he doesn’t have to for listeners to get the point.

A Single Man is also undeniably erotic. Firth and Goode have romantic and sexual chemistry to spare between them, and Hoult does a striptease for George (after they have both gone skinny-dipping) during the film’s surprising climax. All three actors show plenty of skin in the film but Ford presents the nudity artfully, which makes it all the sexier in my opinion. I would be remiss if I didn’t note the über-sexy Jon Kortajarena as well, as a James Dean-ish hustler who tries to pick George up.


The film may traffic in dark themes and issues of mortality, loss, loneliness, oppression and suicide, but it certainly isn’t humorless. Ford, co-writer David Scearce and, no doubt, original author Isherwood infuse George’s plight with unexpected wit without it being in bad taste. I predict gay men will be quoting the script’s funnier lines in the future.

Finally, Firth (who also played gay in last year’s Mamma Mia!) is emerging as a likely Oscar contender for his performance as George. He has already won the Best Actor award at this year’s Venice Film Festival, and it would be the British actor’s first, somewhat overdue nomination for an Academy Award. Firth is simply wonderful in A Single Man.

Anyone — gay, lesbian, straight or other — who has lost a loved one will identify with George’s experience. As much as I expect gay men to fawn over this film, it tells an ultimately universal story that I hope will touch mainstream moviegoers as well.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Embraceable Cruz

Posted By Doncrack On 10:00 AM 0 comments
Penélope Cruz reunites with director Pedro Almodóvar for his neo-noir Broken Embraces, opening in Los Angeles this Friday.

Click here to watch the trailer.

Film Art: Pop Princess

Posted By Doncrack On 4:00 AM 0 comments
Like this comic strip take on Cinderella by Vince Musacchia, all the classic toon royals get artistic makeovers in the new book The Art of the Disney Princess.

 see more artwork from the book, including Snow White, Belle and the newest Disney princess, Tiana, star of The Princess and the Frog, opening nationwide this Friday.

Reverend’s Interview: Chad Allen, Je T’aime

Posted By Doncrack On 4:00 AM 2 comments
Discovered at the tender age of four while performing at a state fair, out actor Chad Allen has in the 32 years since then channeled his talents into a successful career on stage, television and film. His most recent movie, the acclaimed Hollywood, Je T’aime, makes its DVD debuton Wolfe Video today. The Los Angeles-based Allen generously took time out from his increasingly busy schedule to chat with Reverend exclusively for Movie Dearest.

“My parents weren’t show business people but always encouraged us,” Allen said, referring to his twin sister Charity in addition to himself. “Soon after being discovered, I did commercials and then TV, including St. Elsewhere.”

Allen played the recurring role of Tommy Westphall on the hit 1980’s drama. Westphall was an autistic boy who, it was revealed in the show’s final episode, envisioned the entire series in his mind. Allen made his biggest splash on television as Matthew Cooper on Dr. Quinn, Medicine Woman.


“I was cast in the pilot (of Dr. Quinn) but didn’t expect the show to last,” Allen recalls. “It ran for six years (1993-1998) and paid for my college education.”

Almost as soon as Dr. Quinn went off the air, Allen declared his homosexuality publicly. Allen had been rumored to be gay for several years and decided to acknowledge it rather than cover it up. At the time, Allen said of the decision to come out: “I don’t know if it’s as damaging on a public level, but I’m certain it’s damaging on a personal level. I’m absolutely certain that forcing any young person or not-so-young person into dealing with the issue when they aren’t ready to or simply don’t want to is damaging to the soul. It’s just not right.”

The actor, who has been partnered for the last 4 ½ years, utilized much of his experience as a previously closeted man in the 2007 film Save Me. In it, Allen and Robert Gant, another out actor, play gay men trying to overcome their homosexual desires at a Christian “conversion” camp. Instead, the two fall in love.


In reflecting on how the motion picture industry has changed in its treatment of GLBT subjects during the course of his career, Allen says, “For actors, it has changed tremendously. It is today a much more hospitable place for gay — even openly gay — actors. Much of the change has been over the last ten years.”

He continued, “The downside is that as gay characters and stories have become more mainstream, GLBT independent films have been on the decline. I hope we get to the point where we can have both (mainstream and independent films with gay characters/stories).”

Allen cites the Oscar-winning Brokeback Mountain (2005) as a watershed moment in Hollywood. “Until Brokeback, there was a huge fear or belief that you couldn’t tell a story with a gay hero and have it make money. A well-made movie with a good story trumps everything. It’s not just a victory for gay rights; it’s a victory for humanity.”


Partly due to the success of Hollywood Je T’aime to that end, Allen is proud of his work in his most recent film. He plays Ross, a drug-dealing, HIV+ denizen of West Hollywood who develops a relationship with a French man visiting California over the Christmas holiday.

“It’s a very simple story,” Allen said of what attracted him to the project. “I really love European movies for the simplicity of the story. It really respects the viewer’s intelligence. Also, I had never played an HIV+ character. I have so many friends with HIV, so I wanted to honor them in some way.”

Allen has also gained something of a cult following with his ongoing role as gay private eye Donald Strachey. Thus far, the series of direct-to-DVD movies consists of Third Man Out, Shock to the System, On the Other Hand, Death and Ice Blues. “There are two more Strachey books to be made into films,” Allen reveals. “I love the character and the relationship between him and his partner. I love that Strachey is a mess and can’t really keep his life together, but he always gets things done one way or another.”


I had the privilege of seeing Allen perform last year in the Pasadena Playhouse production of Looped, opposite Valerie Harper as the legendary Tallulah Bankhead. I asked Allen whether a New York production of the play was a possibility. He replied, “It’s on hold for now due to political issues I don’t begin to understand.” Since I spoke with him, however, a New York run with Harper reprising her role has been announced. Allen’s involvement is apparently yet to be determined.

At the time of our conversation, Allen was working hard on his new film, Spork, named after the spoon-fork combo. The film “follows a 14-year old intersex child,” according to Allen, who is producing the film as well as starring in it. “It’s an over-the-top comedy but also very poignant. If all goes well, it will be out in 2010.”

When he isn’t acting or producing, Allen serves as a member of the Honorary Board of Directors of the Matthew Shepard Foundation and supports a number of other GLBT projects. He is passionately committed to marriage and full equal rights for GLBT people.

Interview by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Poster Post: Carrie Nation

Posted By Doncrack On 4:00 PM 0 comments
"Hello, lover ..."

The first teaser poster for the eagerly awaited Sex and the City 2, opening nationwide May 28, 2010.

USA Weekend Box-Office.

Posted By Doncrack On 3:45 PM 0 comments

Reverend’s Reviews: On a Scale of 1-10, Nine Disappoints

Posted By Doncrack On 10:00 AM 0 comments
In 2002, director-choreographer Rob Marshall helped to revitalize movie musicals with the fantastic, Oscar-winning Chicago. Hoping to strike gold again, Marshall and most of his earlier film’s production team have reunited for an adaptation of the stage musical Nine, opening nationwide on Christmas Day. Unfortunately, the filmmakers fall short this time around.

The original Broadway production of Nine debuted in 1982 and won that year’s Tony Award for Best Musical. It had a successful revival in 2003, starring Antonio Banderas in the lead as Guido Contini, an Italian movie director patterned on Federico Fellini. Nine is actually an adaptation of Fellini’s semi-autobiographical 1963 film 8 ½.

For the new film, Daniel Day-Lewis was cast as Contini and surrounded with a bevy of international, female superstars (most GLBT faves) as the various significant women in his life. Nicole Kidman plays Contini’s favorite leading lady; Penélope Cruz assays the role of Contini’s mistress; Marion Cotillard, a previously-unknown French actress who won the Best Actress Academy Award for her turn as Edith Piaf in the 2007 film, La Vie en Rose, plays Contini’s wife, Luisa; Judi Dench serves as his devoted costume designer; Kate Hudson has a great turn as a fashion journalist out to undress the filmmaker; and pop singer Fergie of the Black Eyed Peas makes a strong impression as Contini’s first, boyhood prostitute.


Completing the roster is the perfectly cast Sophia Loren, beautiful as ever, as Contini’s mother. Loren even gets to sing, as all the women do. Few of them are trained singers or dancers, but Marshall generally works the same magic with them that he did with Renee Zellweger and Catherine Zeta-Jones — neither known much for their musical ability — in Chicago.

Dench, who actually started out her illustrious career in musicals and was the original Sally Bowles in the London production of Cabaret, fares best. She is in great voice during her number, which recounts her character’s early years with the Folies Bergeres. It is a glamorous evocation of the famed Parisian show.

Cruz sizzles during her sexy song, deceptively titled “A Call from the Vatican.” Most impressive — even to a gay man like myself — is her toned body and frequent, spread-eagle dance moves. Cotillard, who could barely speak English two years ago when she accepted her Oscar, reveals perfect diction and a lovely singing voice during the well-staged “My Husband Makes Movies”, even if she appears a little young for the role.


The aforementioned Hudson tears up the screen with a new song written especially for the movie, “Cinema Italiano” (the songs for both the stage and screen versions of Nine were written by Maury Yeston). While the lyrics are silly and the choreography Hullabaloo-esque, the film truly comes alive during the number.

Day-Lewis also makes a fine impression in his musical debut. The two-time Oscar winner (for My Left Foot and There Will Be Blood) conveys well Contini’s anxiety over his new film, which is due to begin filming in 10 days but lacks a script. Day-Lewis even leaps and bounds exuberantly up and over soundstage scaffolding during the first of his two songs.

Indeed, all the movie’s elements, with the exception of the irritatingly hyperactive editing during the musical numbers, are top-notch. So why isn’t Nine more satisfying in the end? Primary blame must be laid upon the episodic, predictable adapted screenplay, which is credited to Michael Tolkin and the late screenwriter-director Anthony Minghella. The film is less a cohesive character study than a collection of clichéd vignettes about an unfaithful, womanizing husband, enlivened by the occasional song and dance. If viewers become bored by the narcissistic Contini’s antics, just wait ten minutes and a lovely, more-often-than-not scantily clad woman will sing something.


Yeston’s score isn’t one for the ages either. Apart from “Be Italian,” which Fergie performs in the movie accompanied by a gang of sand-tossing harlots, none of the songs in either the stage or screen versions of Nine is particularly memorable. Actually, the tune viewers will likely find themselves humming on their way out of the movie is “Cinema Italiano,” partly due to the fact that it is reprised over the end credits.

While Nine probably won’t kill the renewed genre of movie musicals adapted from Broadway shows (Spring Awakening and a remake of Damn Yankees are reportedly up next), it is also unlikely to become either the box office hit or laurel-laden film that Chicago was. Chicago benefited from truly interesting characters and catchy songs. Nine is a melancholy tribute to a by-gone era in filmmaking and male-female relations … perhaps one better left without tribute paid to it.

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Hollywood Wild Things

Posted By Doncrack On 10:00 AM 2 comments
It’s somehow fitting that I finally saw Spike Jonze’s big screen version of Where the Wild Things Are right after viewing Jason Bushman’s romantic film Hollywood, Je T’aime (now on DVDfrom Wolfe Video). While they seem from different worlds, they’re essentially the same story, with a few important differences:

In Where the Wild Things Are, a lonely boy named Max (Max Records) leaves his home after a devastating fight with his mother (Catherine Keener), crosses a rough ocean by boat and lands on a strange island filled with weird but lovable creatures ... who threaten to eat him. In Hollywood, Je T’aime, a lonely French man named Jerome (Eric Debets) leaves Paris after a devastating break-up with his boyfriend, crosses the Atlantic Ocean by plane and comes to a strange place filled with weird but lovable characters ... who want to sleep with him.


Max becomes the creatures’ king, due to his wit and imagination, and he brings together a wildly dysfunctional “family” of, well, wild things (voiced by the likes of James Gandolfini, Catherine O'Hara, Paul Dano, Forest Whitaker and Chris Cooper). He realizes that he can’t fix everything when the creatures’ self-destructive natures drive a wedge between them. He decides there’s no place like home. Meanwhile, Jerome becomes a working actor (a “king” in Hollywood), due to his wit and French charm, and brings together a dysfunctional family of social outcasts (a.k.a. "wild things") — Kaleesha, a homeless trans prostitute (Diarra Kilpatrick), Norma Desire, a jaded, aging drag queen (Michael Airington), and Ross (Chad Allen), an HIV-positive pot dealer, and his dog, Foxy Brown. Ross’ internalized homophobia drives a wedge between Jerome’s new friends. Jerome decides “Il n'y a pas de petit chez soi” (there’s no place like home).

Now of course, Max never visits a bathhouse, gets stoned with his new friends or discovers the mind-numbing horrors of riding mass transit in Los Angeles, or Jonze’s Wild Things would be even more controversial than it is. Jonze’s film is a visually stunning reimagining of Maurice Sendak’s beloved book that weighs down the book’s spare prose with too many unrelated plot elements, making it a hard film for kids to appreciate.


Bushman’s Hollywood, Je T’aime succeeds in showing us people who don’t get much exposure in gay cinema, through the eyes of an understated lead whose foreignness gives him carte blanche to do whatever he wants. That he can’t forget his wispy and annoying lover back home shows that he’s a flawed dreamer like the rest of his newfound family. Debets’ main charms are his resemblance to Adrien Brody and his warm French accent. Allen gives the best performance, as a medical pot permit-carrying stoner, while the rest of the cast does a fine job fleshing out their unusual roles, especially Airington, as the life-weary den mother.

Hollywood, Je T’aime (i.e., Hollywood, I Love You) is an odd name for a film that doesn’t particularly love the city, but it is a well-made character study and a bittersweet addition to the “making it in Hollywood” canon.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Awards Watch: Coast to Coast

Posted By Doncrack On 4:00 PM 0 comments
The 2009 movie awards season kicked into high gear the past two days with the announcements from four major kudos groups of the results of their annual cinematic honors.

In a rare instance of solidarity, the Los Angeles Film Critics Association and the New York Film Critics Circle both chose Kathryn Bigelow's gritty war drama The Hurt Locker for Best Picture and Best Director.

They also agreed on the supporting acting races, bestowing honors on Christoph Waltz (Inglourious Basterds) and Mo'Nique (Precious: Based on the Novel Push by Sapphire). In the lead categories, LA went for Jeff Bridges (Crazy Heart) and Yolande Moreau (Séraphine), while their Gotham counterparts chose George Clooney (for both Up in the Air and his vocal turn in Fantastic Mr. Fox) and Meryl Streep (for Julie & Julia but not It's Complicated).


The Hurt Locker also placed strongly in the nominations for the Broadcast Film Critics Association's Critics' Choice Awards with eight nods. But it was Inglourious Basterds and Nine that lead the pack with ten nominations apiece. Joining these three in the Best Picture race is Avatar, An Education, Invictus, Precious, A Serious Man, Up and Up in the Air. Winners will be announced on January 15 in a live ceremony scheduled to be broadcast on VH1 with Kristin Chenoweth hosting.

Meanwhile, the American Film Institute has revealed their own top ten for '09. The AFI Awards for film go to Coraline, The Hangover, The Hurt Locker, The Messenger, Precious, A Serious Man, A Single Man, Sugar, Up and Up in the Air. On the TV side, such Movie Dearest faves as The Big Bang Theory, Glee, Modern Family and True Blood were recognized. Click here for a special video tribute to all the AFI Award winners.

For a quick look at all the winners/nominees, see the comments section below. And the gold derby will continue to race on later this week with the nominations for the Golden Globes and the Screen Actors Guild on Tuesday and Thursday, respectively.

Music to Croak

Posted By Doncrack On 10:00 AM 0 comments
The nice folks at Disney Records were kind enough to send me an advance copy of the soundtrack albumto their new animated feature, The Princess and the Frog. I had tried to see the movie in advance, hoping to post a review by opening day, but the naughty PR people at Walt Disney Studios failed to reply to my repeated entreaties, so we'll have to settle with the CD for now.

It kicks off with a very contemporary R & B song, "Never Knew I Needed," performed by Ne-Yo. I presume it plays over the film's end credits, as it doesn't fit in stylistically with the remainder of the songs and score composed by Oscar-winner and Disney-Pixar fave Randy Newman. Still, it's a pleasant song with a catchy hook and may prove to be a pop hit.


Within the first few notes of the score proper, anyone familiar with Newman's previous songs will be able to tell it's his work even if they don't know in advance that Newman wrote it. "Down in New Orleans" has a classic Newman beat and vocal quality to it, even though it is performed by Dr. John. The score on the whole is influenced by traditional ragtime, gospel and Creole music appropriate to the film's 1920's, New Orleans setting.

Anika Noni Rose, best known as one of the Dreamgirls in the 2006 movie, provides great vocals on her character's solo "Almost There" and other songs. Probably the biggest "name" actor contributing to The Princess and the Frog is Keith David (John Carpenter's The Thing), who voices the villainous Dr. Facilier. His song, "Friends on the Other Side," is a funny-spooky explanation of Facilier's magical abilities, supported by a great chorus of male, chiefly bass voices.


"When We're Human" is the movie's show stopping centerpiece, apparently performed by a number of former people who have been transformed into swampland critters through Facilier's incantations. But the score's best number, and a likely Academy Award nominee, is the jaunty "Dig a Little Deeper." Sung by Jenifer Lewis (as benevolent voodoo queen Mama Odie) and the Pinnacle Gospel Choir, it conveys an inspiring message of finding what's truly important in oneself via a joyfully up-tempo melody.

I'm not exactly sure how all of the songs figure into the film's storyline. For that, we'll all have to see the movie, which is getting rave reviews and was just named the year's best film by Time magazine's Richard Corliss. Frankly, I'm glad Disney has returned to the 2-D, hand-drawn animation style. It's gotten to the point where I can't distinguish most of the computer-animated features from one another. See you at the theater!

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Orange County and Long Beach Blade.

Awards Watch: Golden Globe Nominations 2009

Posted By Doncrack On 7:00 AM 0 comments
Nominations for the 67th Annual Golden Globe Awards were announced by the Hollywood Foreign Press Association this morning, with Up in the Air leading the way with six nods. In addition to Best Picture - Drama, writer/director Jason Reitman and stars George Clooney, Vera Farmiga and Anna Kendrick were also recognized.

Joining Up in the Air in the drama race is Avatar, The Hurt Locker, Inglourious Basterds and Precious: Based on the Novel Push by Sapphire, while (500) Days of Summer, The Hangover, It's Complicated, Julie & Julia and Nine compete for the Best Picture - Musical or Comedy prize. (See the comments section below for a quick look at all the film nominations.)

Several actors found themselves nominated twice, including Meryl Streep in the same category (Best Actress - Musical or Comedy for It's Complicated and Julie & Julia). Other double nominees include Sandra Bullock (The Blind Side and The Proposal), Matt Damon (The Informant! and Invictus) and Anna Paquin (True Blood and the TV movie The Courageous Heart of Irena Sendler). As previously announced, Martin Scorsese will be honored with the HFPA's Cecil B. DeMille Award for lifetime achievement.


On the television side, Glee was tops with four nominations. In addition to a nod for Best TV Series - Musical or Comedy, cast members Matthew Morrison, Lea Michele and Jane Lynch were singled out as well. Other Movie Dearest TV faves that are up for Globes include Lost, Modern Family and the TV movies Grey Gardens and Prayers for Bobby.

In other TV award news, the Writers Guild of America has also revealed their television nominations, with more nods going to Glee, Grey Gardens, Lost, Modern Family and True Blood, plus One Life to Live and Pedro by Dustin Lance Black. Winners will be announced February 20.

The Golden Globes will be broadcast live on NBC January 17 in a ceremony hosted by Ricky Gervais. And be sure to check back with us this Saturday for the start of our annual Golden Globe-themed MD Polls.

Jennifer Jones: 1919-2009

Posted By Doncrack On 4:00 PM 0 comments
Jennifer Jones, the Academy Award winning star of The Song of Bernadette, Duel in the Sun, Love is a Many-Splendored Thing and The Towering Inferno, passed away Thursday at the age of 90.

Reel Thoughts: Avatar = Déjà Vu

Posted By Doncrack On 10:00 AM 0 comments
After all the hype, you might feel like you’ve already seen James Cameron’s three hundred million dollar Avatar (in theaters Friday). Guess what? You have! Although it’s undeniably stunning visually, the story is a Frankenstein’s monster of a movie made of bits and pieces of dozens of other better films. To spare you a raging case of déjà vu, I’ve compiled a handy list to clip out and take to the theater with you:

In Avatar, A clueless marine (Sam Worthington, barely concealing his Australian accent) is turned into an alien, but ends up bonding with the reviled creatures and fighting the cruel government’s attempt to eradicate them. Meanwhile, in District 9, a clueless bureaucrat (Sharlto Copley) is turned into an alien, but ends up bonding with the reviled creatures and fighting the cruel government’s attempt to eradicate them.

As a rite of passage, Avatar's Jake Sully (no relation to the heroic US Airways pilot, we think) must tame a flying dragon and become its master. Ditto the hero of Eragon ... and Dragonheart ... and Harry Potter and the Goblet of Fire ... and The NeverEnding Story ...


And the Avatarian familiarities continue:
  • Dances With Wolves: A military man bonds with an indigenous people and ends up fighting the evil and greedy “good guys” bent on taking their land.
  • Pocahontas: The wise indigenous people are one with nature and worship a “mother tree” (not, alas, played by Linda Hunt).
  • Aliens: Gung-ho Marines, including a hard-ass Hispanic woman, invade a hostile planet, unprepared to fight the native creatures. Cameron also reuses the two-legged loader that Sigourney Weaver manned so heroically.
  • Total Recall: The alien planet’s atmosphere is always a danger to the hero, leading to scary scenes of near suffocation.
  • More Pocahontas: The hero faces ridicule and the threat of death by the tribe’s leader, but he is saved by his love, the chief’s daughter.
  • King Kong: In the alien jungle, the hero is nearly trampled by a group of dinosaurs, then is nearly eaten by a bigger, more ferocious dinosaur.
  • 10,000 B.C.: The hero must unite warring peoples to topple the corrupt and evil oppressors. Both movies stink.
  • The Alice in Wonderland ride at Disneyland: Garish fluorescent plants and creatures are everywhere, and both are best experienced under the influence of some sort of hallucinogen.


Avatar has some of the worst dialogue ever uttered, and most of it comes out of power-mad Colonel Quaritch (Stephen Lang). Referring to the film's exotic planet setting in one of the more picturesque examples, he barks, “Pandora will shit you out".

Finally, just when you think you’re safe, Leona Lewis sings “I See You”, the Love Theme from Avatar, over the credits. It’s a derivative retread of "My Heart Will Go On" (minus Celine Dion) and it’s the perfect capper to an overlong sci-fi slog through the jungles of clichéland.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Awards Watch: SAG Nominations 2009

Posted By Doncrack On 10:00 AM 0 comments
Nominations for the 16th Annual Screen Actors Guild Awards were revealed this morning and, just as they always do at this point in award season, things are starting to look awfully familiar. All the usual suspects (Bridges, Clooney, Streep, Mo’Nique) make their usual appearances, with the only real surprise being a supporting nod for Inglourious Basterds' resident femme fatale Diane Kruger.

Her film joins An Education, The Hurt Locker, Nine and Precious: Based on the Novel Push by Sapphire in the Ensemble Cast category, leaving no room for front-runner Up in the Air, which should give Oscar bloggers plenty to obsess about over the holiday lull. (For a quick look at all the film nominees, see the comments section below.)

As for the TV nominations, cast honors went to Glee, Modern Family and True Blood, while both Big and Little Edie (Jessica Lange and Drew Barrymore) were recognized for HBO's Grey Gardens. They'll compete against Sigourney Weaver from Prayers for Bobby.

The SAG Awards will be simulcast live on TNT and TBS on January 23. In addition to the annual awards, the Guild will present their Life Achievement Award to our beloved Betty White.

Brittany Murphy: 1977-2009

Posted By Doncrack On 10:00 AM 0 comments
Brittany Murphy, star of such films as Clueless, Drop Dead Gorgeous, Girl, Interrupted, Don't Say a Word and 8 Mile, died this morning. She was 32 years-old.

MD Poll: Global Possibilities 2009

Posted By Doncrack On 7:00 AM 0 comments
For our last MD Poll of the year, we turn our attention to the recently announced Golden Globe nominations and ask you to name the movies you think will win in their top two categories, Best Picture - Drama and Best Picture - Musical or Comedy.

This is our third go-round with the Globes, and you correctly predicted victory for Atonement and Sweeney Todd two years ago. Alas, you weren't so lucky last year, when Slumdog Millionaire and Vicky Cristina Barcelona bested your picks The Curious Case of Benjamin Button and Mamma Mia! Let's see how you do this year!

Place your votes in the two polls located in the right hand sidebar, and be sure to vote in both of them! Results will be revealed on January 15, two days before the Golden Globe telecast.

Toon Talk: Down in New Orleans

Posted By Doncrack On 4:00 AM 0 comments

“The evening star is shining bright,
so make a wish and hold on tight.
There’s magic in the air tonight,
and anything can happen …”

This simple lyric is the “once upon a time” that begins Disney’s The Princess and the Frog. More than just the revival of traditional animation or the debut of their first African American princess, this is Disney’s return to magical, musical storytelling as only they can do.

A Southern-flavored take on the classic fairy tale "The Frog Prince", The Princess and the Frog immerses the viewer in a colorful, tune-filled fantasy world where alligators play musical instruments, fireflies speak in Cajun accents and there’s a happily ever after (if you work hard enough) around every bend in the bayou.

Our heroine is the strong-willed Tiana (voiced by Tony Award winner Anika Noni Rose, best known as one of the movies’ Dreamgirls), an independent young woman and master chef who dreams of owning her own restaurant “down on the river” in New Orleans. That dream is sidetracked though when she meets a handsome prince … yet she doesn’t know it at first as he’s been turned into (you guessed it) a frog.

See, the Prince charming-yet-frivolous Naveen (Bruno Campos, of Nip/Tuck 's penisless bisexual serial killer fame) has run afoul of the neighborhood voodoo “shadow man”, Dr. Facilier (voiced by Keith David; a character reminiscent of Sammy Davis Jr.’s Sportin’ Life from Porgy and Bess mixed with Geoffrey Holder’s Baron Samedi from Live and Let Die).

In a devilish plot to get his hands on the riches of the local “Big Daddy”, La Bouff (John Goodman), Facilier facilitates the prince’s amphibian transformation and recruits his put-upon valet Lawrence (Peter Bartlett, best known as the put-upon butler Nigel on the ABC soap One Life to Live) to masquerade as his master. This allows the faux prince a chance to cozy up to La Bouff’s eligible-yet-shallow daughter Charlotte (Broadway babe Jennifer Cody) at her masquerade party.

And this is where the frog-ified Naveen finds Tiana, fatefully attired in a princess costume. Borrowing a page from the fairy tale, Naveen naturally asks the “princess” to kiss him to break the spell … except (as we know) she’s not a princess and the smooch results in Tiana’s own transformation into a frog as well. Talk about “one froggy evening” …

continue reading my Toon Talk review of The Princess and the Frog on LaughingPlace.com.

MD Poll: Charlie in Charge

Posted By Doncrack On 4:00 AM 0 comments
When it comes to classic cartoon Christmas specials, Movie Dearest readers prefer a little melancholy in their merriment, as witnessed by the Charles Schultz chestnut A Charlie Brown Christmas being named your all-time favorite of the genre in our latest MD Poll.

Seasonal cynicism continued with the remainder of the top three, Dr. Seuss' How the Grinch Stole Christmas and Rudolph the Red-Nosed Reindeer (watch this for proof of the latter). Of course, there does need to be a little holiday malaise for our toon underdogs to overcome, which is perhaps why these perennial favorites have stood the test of time so well.

See the comments section below for the complete results.

Reel Thoughts Interview: A Single Man’s Savior

Posted By Doncrack On 4:00 AM 0 comments


Designer blackamoor Ford is one of those insanely precocious men you want to hate. He’s gorgeous, a brilliant covering designer, and now a first-time director with Oscar buzz building around his debut, A Single Man. Based on the book by Christopher Isherwood, it tells the news of a professor George Falconer (Colin Firth) in 1962 Los Angeles who, bereft at the death of his relation (Matthew Goode, Ozymandias in Watchmen), decides to commit suicide. As his presumed last day unfolds, George sets about putting his life in order, thinking a last period with his devoted friend Charlie (Julianne Moore, hunting ravishing in period gowns), and enjoying a sexually-charged conversation with a handsome James Dean-like hustler (Jon Kortajarena).

He is interrupted in his mission by Kenny, one of his students, who may be meet what George needs to shatter his unsafe funk. Kenny is played by a striking young man, saint Hoult, who you’ll be amazed to recognize as “the boy” in the Hugh Grant film, About a Boy. Hoult took instance from his twentieth date to speak to me about A Single Man, and ground British actors hit less hang-ups about playing gay characters than American actors.

NC: First of all, happy birthday. You’re not a teen-ager anymore
NH: Thank you. Yeah, I’m note today. Odd.

NC: And I meet remembered, we (the Phoenix Film Critics Society) gave you an acting honor for About a Boy in 2003.

NH: Yeah, which was fantastic. It’s in my house.

NC: So how did your love of acting come about?

NH: It was more of an accident, to be honest with you. My brothers and sisters were participating in the same thing. My care took me along at three, and the administrator saw me in the audience, and used me in her next play. It variety of all kicked off from there. It was kind of a plaything which I continued to do — instead of activity for a sports team, I’d act.

NC: Kenny’s a pretty forward character. How did you approach activity him?

NH: The important abstract most Kenny is, he’s not necessarily that confident. He’s most clutch the moment and experience in the now. I think anyone would seem that overconfident if they were just most the present, and not worrying most the time or the future. I think that’s where Kenny’s reaching from.

NC: It’s just what martyr needs at that moment.

NH: That’s why their relationship works so well, because martyr is someone who is experience in the time very much and dealing with the expiration of his lover. He’s not been spontaneous and gone swimming in the ocean at night and all that. A lot of grouping in life don’t hit those experiences enough.


NC: For you, what was the best conception of employed on A Single Man?

NH: For me, it was employed with much precocious grouping as blackamoor and Colin and the whole crew. It was a real fag of fuck for everyone. It’s a nice undergo on a flick set when it’s not all most making money.

NC: A colleague was grateful that the flick showed a flourishing gay relationship (before the lover’s death), rather than self-loathing characters.

NH: That’s a key conception of the story is that it’s most fuck and loss, and it would have worked as well if George’s partner who died had been female.

NC: Was it hard slippy into the time punctuation and the dweller accent?

NH: I had a great talking railcar and she just made trusty that the pronounce was specific to the time and place we’re in, and it gives you the confidence to forget the fact that you're speaking in an pronounce when you’re acting. The script was so beautifully constructed by Tom, that everything you needed was in there.


NC: What are Kenny’s motives in respect to George?

NH: I conceive it was to hit a unification and an understanding with him. It’s pretty rare in chronicle when we do hit a beneath-the-surface sort of unification with someone.

NC: I attending that British actors seem to hit a lot less hang-ups about playing merry roles. Why is that?

NH: I don’t know if it’s that British actors are so bright to be working (laughing). There’s not such a huge air of not existence cast in something else because you played a merry character, because people aren’t circumscribed by their sexuality — they’re more circumscribed by many other things in their personality. I conceive maybe it’s something to do with looking past that as well.

Hoult will also be seen in the bounteous budget flick Clash of the Titans, which he enjoyed. “It’s enthusiastic to see how those films are made. I conceive it could be a very popular film,” he remarked. For now, he hopes people will see A Single Man. “It’s a enthusiastic example of cinema,” he said, that teaches people to live for the moment and enjoy life.

Interview by Neil Cohen, doc flick critic of Movie Dearest and Phoenix's Echo Magazine.
 
Copyright @ 2008-2010 Movies Center | Movie Center | Powered by Blogger Theme by Donkrax